By MATT MCCANN
The New York Times - January 16, 2014
If Iranian youth culture was portrayed in a BBC drama, it might be
called “Inside, Outside,” or even “Righteous, Raucous.” That is the
duality present in Hossein Fatemi’s “An Iranian Journey,”
a series that shows young people’s public modesty and piety vanishing
once they escape the wary gaze of authority. These youths play music,
drink, smoke, commingle and enjoy other intemperate — i.e., regular —
Western activities. They are online, on Facebook, and are politically
engaged and simmering, craving freer speech but stifled by the
ayatollah’s rules.
“Naturally, whatever you prevent a human being from doing, it makes them want to do it more,” said Mr. Fatemi, who is represented by Panos Pictures.
He sees his task as putting in the open what is shrouded in the dark.
Whether it is alcohol consumption by Muslims or patronizing
prostitutes, he seeks to photograph what is forbidden. When postelection protests
in 2009 made it nearly impossible to be outside, Mr. Fatemi eagerly
took to the streets and photographed as much as he could. Once the world
got a sense of what was happening in the streets, Mr. Fatemi turned to photographing interiors.
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