By James Anderson, Truthout | News Analysis
TRUTHOUT - Thursday, 09 April 2015
When students kicked in the door of the main administrative building,
the Maagdenuis, at the University of Amsterdam on February 25, the "New
University" - or "De Nieuwe Universiteit" - movement introduced a new aesthetic dimension of protest.
The Maagdenhuis occupation, a protest against the financialization of
higher education and against the concentration of decision-making power
at the university, disrupted the everyday flow of doing, changing the
normal organization of human sense experience on campus. By taking a
building and reorganizing human activity inside, with emphasis on
dialogue, deliberation and shared decision-making, occupiers created new
aesthetic conditions necessary for a new politics, as philosopher
Jacques Rancière, who recently visited the Maagdenhuis to show
solidarity with UvA students, suggests.
Politics remains "aesthetic in principle," Rancière, once wrote.
By blurring boundaries between the expressible and ineffable, Rancière
argues that aesthetics affirms antagonisms that the administrative order
would rather see reconciled under its own imposed expectations.
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