By Luke Massey
The New Statesman - 08 October 2013
Slavoj Žižek is brimming with thought. Each idea sprays out of the controversial Slovenian philosopher and cultural theorist in a jet of words. He is like a water balloon, perforated in so many areas that its content gushes out in all directions.
The result is that, as an interviewer, trying to give direction to the tide is a joyfully hopeless enterprise. Perhaps more significantly, the same seems to be true for Žižek himself.
We meet in a room with one glass wall - an apt setting for a discussion of freedom, ideology, surveillance and ‘80s dystopias on film. Picturehouse HQ is playing host to our discussion, on the launch of Žižek’s new film The Pervert’s Guide to Ideology.
Before I even ask my first question, Slavoj is off: he tells me that I’m better than some interviewers he’s met. The fact that I’ve barely spoken yet doesn’t seem a barrier to that.
"You know, I hate it so much, when I was in Korea, I gave a couple of interviews, and they ask me 'What do you think we should do in Korea? What’s our situation here?' F*ck you! What do I know?! You know? This crazy idea…"
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