By Teju Cole
December 6, 2013
http://thenewinquiry.com/blogs/dtake/the-island/
A clear day in the early nineteen-eighties, for example. A man drives past the harbor of the city in which he lives. He sees docked boats, restaurants, children at play, the island sleeping in the distance. Without quite meaning to, he remembers that the island is a prison. And then, as he is a man of some imagination, he imagines something worse: that people are tortured there. It has been going on for a while.
Years pass. The rough sea of the crossing makes it feel far. The swells are huge. The ferry could sink like a stone. Our tour guide, used to it, sleeps on the journey. Soon, in less than half an hour, the ferry arrives. The prison is now a museum. There was and is a pitiful garden along a wall.
Obscene. That is the word, a word of contested etymology, that she must hold on to as a talisman. She chooses to believe that obscene means offstage. To save our humanity, certain things that we may want to see (may want to see because we are human!) must remain off-stage. (1)
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